![]() A four-story, open air courtyard excavated from within the center of the building serves as an immersive public space for building tenants, community members, and park visitors. A passageway carved out of the masonry structure creates a pedestrian conduit between Water Street and the waterfront. The Architectural intervention transformed this massive building, once a barrier standing between the neighborhood and the park, into a public portal that reconnects the two zones. The adaptive re-use campaign, done in collaboration with Studio V, celebrates and preserves the building’s monumental presence on the waterfront, while improving circulation between DUMBO’s urban fabric and the 85-acre Brooklyn Bridge Park. The conversion of this 450,000 sf complex, provides Brooklyn’s burgeoning Tech Triangle with much-needed office space, and brings retail, dining, public space and exhibition galleries to the neighborhood. This award-winning mixed-use development reimagines a vacant, 19th century warehouse on the DUMBO waterfront as a contemporary creative workplace and community hub. In addition, the historic Beaux-Arts Court, restored in 2001, provides a dramatic event space of enormous interior height with great architectural character.CLIENT: Midtown Equities, HK Organization / Rockwood Capital SCOPE OF WORK: Architecture SIZE: 450,000 SF LOCATION: Brooklyn, NY STATUS: BuiltĮmpire Stores is emblematic of Brooklyn’s transformation from lapsed industrial powerhouse into a growing creative sector. The Rubin Pavilion is available after hours for corporate receptions and sit-down dinners. ![]() Rubin Pavilion and Lobby is comprised a glass-enclosed structure that provides a new entrance to the museum and a bright daylight-filled lobby space.The Rubin Pavilion was designed by the Polshek Partnership, and their design sought to “replace”, however abstract, McKim Mead and White’s grand entrance stair that had sadly been removed, notably while the architects were out of the country. There have been additions and modifications over the last 40 years, but the most dramatic and impressive is the Rubin Pavilion, completed in 2004. Sadly, many of the original features of the building were demolished, including the grand exterior stair and much of the interior Beaux Arts detailing. By 1926, McKim Mead and White’s plan was only 25% completed.īy the mid-20 th century the original building had deteriorated while museum administrators continued to evaluate its strategic objectives. When Brooklyn became incorporated into New York City in 1899, its collections could then be stored or exhibited with other City museums. Construction began in 1895, however the museum’s grand plan was never fully realized. The most impressive by far was the sky-lit Beaux-Arts Court. Each building wing was defined by a central pavilion with a domed ceiling. Their first design for the museum in 1893 was an enormous complex of connected building wings. These architects were no strangers to grandeur, classic proportions and fine detail. The design for the new museum, the Brooklyn Institute of Arts and Sciences, came from the drawings boards of the esteemed architectural firm of McKim Mead and White. In 1890 further expansion plans led to the commission of a grand new museum structure. By this time the Institute had already acquired a substantial collection of paintings and sculpture. Over the years the library grew and in 1845 formed the Brooklyn Institute. ![]() It was established in 1823 as the Brooklyn Apprentices Library to serve and educate tradesmen. ![]() One of New York City’s great historical monuments, the Brooklyn Museum, was originally a library and one of the oldest in the United States. The Brooklyn Museum Location: Style: Social GatheringsĪn age old museum with a rich heritage sports a new architectural perspective for the future of its service to the community. ![]()
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