![]() The story goes that ‘Telephone’ was actually originally written for Britney Spears. Before all that, there was the ‘Telephone’ music video. Telling off her controlling boyfriend, B poisons him and frees herself from her confined existence controlled by man, allowing her to escape with Gaga into the desert to revel in girl power.or hit the club, or whatever.Hold Up, Beyoncé Just Confirmed She’s Got New Music Coming In A Rare As Hen’s Teeth Interviewīut before all of that was March 2010. Hopper's fascination with bright sunlight-signaling a revelation-is also seen here, as is his color aesthetic of cool greens and blues ( Morning in a City, Morning Sun, Office at Night, to name a few). Here, Beyonce holds the telephone, a gateway to the outside world from which she is being held back from, while flaunting her stuff in a way that renders her more as a sculpture than a real live person. ![]() One such prop was the telephone-in which communication is mediated through the object-highlighting the detachment of his subjects, who often appear half-dressed and as though they are objects on display. His paintings frequently depicted solitary figures, confined in urban spaces and surrounded by props of technology that were pervading American culture and contributing to the notion of societal imprisonment. The American realist painter was known for his commentary about modern American life, often interested in exploring the relationship between people and their environments. Now chew on that for a second.ĭavid LaChappelle meets Edward Hopper? We've already noted David LaChapelle as a noted influence in the video, whose saturated colors and bold aesthetic are echoed again here in Beyonce's getup.īut if you wanted to get all academic about it and probe even deeper, one could suggest traces of painter Edward Hopper's style influencing this particular image. Whatever product placement or triviality exists within her videos can be excused as art under the pretense of her participation in the pop art movement-whether "Gaga" as a product is really who she is or the product of a label is almost irrelevant when you consider that maybe she's the modern-day Marcel Duchamp or René Magritte. Much like Warhol, she has as much a part in feeding into pop consumer culture as she has in making a statement against it. Herein lies the convenient Catch-22 Lady Gaga has created for herself. Bloggers and fans are crying product placement-which in the case of Miracle Whip, it partly is-but its inclusion is more likely an homage to her greatest idol, who himself was a living, breathing piece of art. ![]() Inspired by the Warhol's exploration of mass consumer culture and advertising through his Campbell's soup studies, Gaga and Akerlund challenge the gender stereotype of the "perfect housewife" portrayed heavily in 1950s pop culture, using Wonder Bread and Miracle Whip as their artistic devices. ![]() To give Gaga a fair and fighting chance, we've deconstructed her pièce de résistance-and were rather surprised with what we came up with:Īlternating between Japanese and comic book-style subtitles, the video channels Gaga's beloved pop art pioneers Roy Lichenstein and Andy Warhol. We shouldn't just assume that a woman who cares so much about aesthetic and artistic value would just spew out a string of seemingly random images and product placements. She's a great singer, captivating performer, pushes the boundary of style-she's basically a walking performance art piece. However, Gaga's talents aren't without merit. It's easy to say you want to take something with "quite shallow meaning, and turn it into something deeper," but just because your video has a "Tarantino-inspired quality" doesn't make it profound. While many on the interwebs are raving about Gaga's latest, others wonder where the substance is. ![]() Saying she is "always trying to convolute the idea of what a pop music video should be," Gaga told E! that she wanted to take "the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are." Teaming up with " Paparazzi" director Jonas Akerlund, "Telephone" picks up where his previous video left off-with Gaga heading to the slammer after killing off a lover who did her wrong. Lady Gaga's latest music video, "Telephone," premiered last week, and the 9 ½ minute spectacle was nothing short of what you'd expect from the Gagaloo. ![]()
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